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Artist Statement

I explore the space between the inner world and the natural world, often through the feminine figure as a vessel of transformation. These figures are not portraits in the usual sense, but symbols of change - emotional, spiritual, and environmental.

 

I paint in a figurative style, but often weave in surreal details to create dreamlike atmospheres. Strands of flowing hair, strange or poisonous plants, and objects charged with symbolism become recurring presences in my paintings. They act as signs of the hidden stories and feelings that move beneath the surface of daily life.

 

Much of my inspiration comes from Jungian psychology, particularly the ideas of the shadow self (the hidden parts of ourselves that we often fear or deny) and the anima (the inner feminine aspect of the psyche, which appears in dreams and myths as a guide or symbol of transformation). By drawing on these ideas, I use myth, nature, and symbolism to mirror the ways identity and emotion are shaped by both our inner lives and the wider world around us.

 

Certain motifs return again and again in my work. The willow tree, with its weeping branches, suggests both mourning and resilience. Belladonna, a plant known for its beauty and danger, becomes a sign of transformation and risk. Landscapes touched by moonlight suggest mystery, concealment, and revelation. These images function as archetypes - timeless symbols that carry deep and universal meaning.

 

I also draw inspiration from poetry and visionary writing, from William Blake’s prophetic works to Federico García Lorca’s dreamlike verses, as well as Carl Jung’s Red Book. Like their words, my paintings are not intended as static images, but as living spaces for dialogue with the subconscious. I think of them as altars: sites where personal mythologies and collective memories meet.

 

Currently based in the East Midlands, UK, I am developing a body of work that seeks to connect the human form with elemental landscapes. These paintings are imagined thresholds - places where the boundaries between dream and waking briefly dissolve.

'Painting becomes a way of giving form to what cannot yet be spoken.'

Selected Exhibitions

2025
Art 2025: Studio Open, Group Exhibition, LCB Depot, Leicester
Exhibiting Artist & Curatorial/Organising Team

 

2025

Open Studios & Exhibition, Group Exhibition, StudionAme, Leicester
 

2024
Boundless, Group Exhibition and artist Q&A, Ilkeston Contemporary Arts, Ilkeston

2022
Art Season / L.O.V.E. Art Open Call, Group Exhibition, LCB Depot, Leicester

 

2021
The Magic of the Real, Group Exhibition & Co-Curator, LCB Depot, Leicester

 

2020
L.O.V.E. Art / Leicester Open Variant Exhibition, Online Group Exhibition

 

2020
Highlights, Group Exhibition, Boomer Gallery, London

 

2020
The Wall, Group Exhibition & Charity Fundraiser, Leicester

 

2018
StudionAme Open Studio, Group Exhibition, StudionAme, Leicester

 

2018
L.O.V.E. Art, Group Exhibition, Leicester

 

2017
Fine Art Degree Show, De Montfort University, Leicester

 

2017
Toru Namekawa Residency Exhibition, Solo Exhibition, StudionAme, Leicester

 

2016
Kink, Group Exhibition, Curve Theatre, Leicester

Awards & Funding

2024
Develop Your Creative Practice (DYCP), Arts Council England

 

2023
Leicester Textiles Festival Residency

 

2020
L.O.V.E. Art Prize, DMU Local Prize

 

2017
Leicester Print Workshop Prize, De Montfort University

 

2017
Toru Namekawa Artist Residency, StudionAme, Leicester

 

2017
Degree award - Leicester Print Workshop award, De Montfort University, Leicester

Selected Media & Publications

2025
LCB Depot, Art 2025: Studio Open, artist profile featuring Insomniac Dreams

2021
How You Frame It, Guest Artist / Podcast Interview

 

2020
The Curious Kaki Show, Guest Artist / Podcast Interview

 

2020
De Montfort University, Online Show Earns DMU Artists Recognition During Covid, artist feature

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